KST Blog

Welcome to the KST Blog!

The KST Blog serves as an alternative view of the KST programming, showcasing our artist talk series, press, and more!

  1. Thriving Where We Live: Kelly Strayhorn Theater Adopts Co-Leadership Model

    KST Deepens Capacity as It Becomes the Preeminent Model for Arts Organizations on the Regional and National Stages.

    East Liberty, Pittsburgh, PA—Kelly Strayhorn Theater (KST) announces it has adopted a co-leadership model, with former Deputy Director Melanie Paglia joining Executive Director Joseph Hall to guide the performing arts organization into its next era of regional and national growth.

    “I often envisioned a co-leadership structure for KST,” says Hall. “When I was with BAAD! The Bronx Academy of Arts and Dance, which has had a co-leadership structure since the 90s, I participated in a rich relationship where we collaborated, supported each other, and led the organization to great accomplishments. Melanie and I enable each other to lean into our strengths and achieve the best outcomes for KST’s communities.”

    Hall, who became Executive Director in March of 2020, led KST through the pandemic and shepherded the organization’s ambitious 2022–25 strategic plan, Owning Our Future. Thriving Where We Live. During his tenure, KST has incubated hundreds of artists and performers, engaged local artists and community members through HomeMakers, developed a shared services model through programs like its Mutual Aid Residency with PearlArts and Dreams of Hope, revamped hallmark programming like the Suite Life jazz concert, and been recognized as a Pittsburgh Cultural Treasure by the Heinz Endowments and Ford Foundation.

    Headshot of Black man, smiling in a black sweater

    Paglia joins Hall as Co-Executive Director during a landmark year. This January, KST hosted its second annual KST X NYC, an ambitious initiative to share new works commissioned and developed in Pittsburgh by KST in collaboration with national partners. These works included the New York City premieres of two dance works from Pittsburgh-based artists, slowdanger’s SUPERCELL and STAYCEE PEARL dance project & Soy Sos’s (SPdp&SS) CIRCLES: going in. This spring, another KST-incubated project will reach national stages: Pittsburgh creator and performer Adil Mansoor’s Amm(i)gone, which premiered at KST in 2022, will debut in Washington, D.C., at Woolly Mammoth Theatre Company.

    Leaders with a Shared Vision

    To advance KST’s mission to be a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people, the co-leadership structure uses collaboration and resilience as its guiding principles.

    “Our strategic vision of owning our future and thriving where we live is not just a memorable slogan—it guides every decision, from how we are structured to the artists we feature on stage,” says Hall. “Melanie has been critical to our ability to thrive during such a complicated period for the arts. Her operations expertise and caring approach to leadership have been indispensable to our success so far. As she joins me in leading KST, I look forward to sharing this vision and ensuring that we continue to model excellence, joy, and innovation in our partnership.”

    White woman with short brown hair smiles, in blue jacket and striped shirt

    Paglia was first hired by Hall in 2011 during his initial engagement with the organization. In this tenure at KST, Paglia rose through several progressive leadership roles in technical theater and general management. In 2017 she departed KST to serve as Music Hall Director at the Andrew Carnegie Free Library & Music Hall in Carnegie where she optimized rentals and programming operations and innovated outdoor, pandemic “parking lot” performances. A decade later, Hall hired Paglia a second time to return to KST as Deputy Director in 2021; since then she has restored operational systems and expanded staff capacity throughout the uncertainties of the theater’s pandemic reopening. She has also been a strategic partner for Hall as KST pursues the opportunity to manifest their vision of a multidimensional arts space that meets the modern day needs of arts patrons and artists.

    “KST simply would not be what it is today without Joseph’s compassionate leadership, artistic brilliance, and profound love for the work,” says Paglia. “Inspired by the groundbreaking work of his predecessor, janera solomon, Joseph has built upon that foundation to further ensure a promising future. Under his guidance, KST is thriving. I am eager to embrace the collective energy of the co-leadership structure and ensure that we continue to create a home for Black and queer people in Pittsburgh.”

    KST joins many other arts and nonprofit organizations in adopting the co-leadership model. This is a trend that reflects the value of collaboration within executive roles that are often described as isolating. Other arts organizations often have an Executive Director and Artistic Director, however, KST embodies the flexibility and mutuality of co-leadership.

    Expanded Capacity for KST’s Thriving Future

    With a unique mix of performing arts programs, collaborative organizational practices, and bold social justice engagement, KST stands out among its peers in the region as a unique model for nurturing local talent and creating a thriving infrastructure for art-making in the 21st century. As the organization continues to reimagine arts practices to meet contemporary needs and evolving audiences, KST is making structural investments to ensure its long-term success in the East Liberty neighborhood.

    “One of our greatest challenges and opportunities in the coming years is the question of where KST will make its permanent home,” says Paglia. “East Liberty has always been our community, and we plan to remain here. We are exploring our options in the neighborhood to ensure that our audiences, staff, artists, and partner organizations have a physical space where they can fully thrive long into the future.”

    Since becoming a presenting organization in 2008 under former Executive Director janera solomon, KST has evolved into a versatile and influential member of the Pittsburgh arts ecosystem. KST nurtures early-career artists and emerging arts groups, hosts boundary-breaking arts experiences, and upholds the historic legacy and vibrant future of Black and queer artists in Pittsburgh. KST has played a role in growing many significant artists and arts groups in the Pittsburgh region: Alumni Theater Company was a resident company at KST for years before becoming an independent nonprofit with its own venue; Staycee Pearl dance project & Soy Sos/PearlArts were founded at KST in 2009 and now are Mutual Aid Residency partners that are touring around the world; KST has incubated and presented many new performances from movement duo slowdanger, which is now touring nationally with KST’s support. These collaborations reflect the vital role that KST plays in cultivating diverse local artists who tell the 21st-century story of Pittsburgh beyond the city.

    “I returned to Kelly Strayhorn Theater in 2020 because I am truly inspired by KST’s unique impact on both the local community and the arts on a regional and national level,” says Hall. “Now, with a co-leadership approach, we will answer the call to create KST’s future state of the art space. Our goal is to provide a platform for East Liberty and beyond where artists and emerging groups will shape the story of a 21st-century Pittsburgh. Together we will Own Our Future and Thrive Where We Live.”


    ABOUT THE CO-LEADERS

    Joseph Hall is the Co-Executive Director of Kelly Strayhorn Theater in East Liberty. Previously, as the Deputy Director of BAAD! The Bronx Academy of Arts and Dance, Hall helped expand the theater’s budget and staff, forging partnerships, and raising its national profile as a BIPOC LGBTQIA+ institution. He co-curates TQ Live! at Carnegie Museum of Art, serves on the National Performance Network’s Partner Advisory Council, Office for Public Arts Advisory Committee, Pittsburgh Community Broadcasting’s Community Advisory Council, and PearlArts’s Board of Directors. Hall has been recognized through awards such as 40 Under 40, Three Rivers Business Alliance Excellence in the Arts, and City Paper’s Pittsburgh’s People of the Year in Performing Arts.

    Melanie Paglia is the Co-Executive Director of Kelly Strayhorn Theater in East Liberty. She is a seasoned arts administrator with more than a decade of experience in theater management and community engagement. Throughout her career, Paglia has taken on progressive leadership positions in technical theater and general management. Notably, she was among the pioneering women in technical theater in the region to hold the role of Director of Production. Paglia is also a committed educator and finds fulfillment in guiding aspiring arts administrators through mentorship. Her return to KST in 2021 underscores her dedication to community enrichment and promoting inclusivity within the cultural sphere.////////////////////////////////


    ABOUT KELLY STRAYHORN THEATER

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people. We welcome our home to all who uplift Black, Indigenous, people of color, and queer voices.

    KST is an institutional arts anchor in Pittsburgh’s East End that has served the community for more than two decades. Since launching KST Presents programming in ’08, KST has been Black-led, fostering radical imagination for Black and queer arts, culture, and community in Pittsburgh by cultivating BIPOC and/or queer artists, entrepreneurs, and arts administrators, developing their careers, and shifting narratives around Black possibility.

  2. 3 RITES: Liberty Illuminates America’s Liberatory Ideals With Theater, Dance, and Community Art

    Kelly Strayhorn Theater Hosts Artist Edisa Weeks in a poignant 3-Part Event April 22–27

    East Liberty, Pittsburgh, PA—Kelly Strayhorn Theater is thrilled to present a three-part program featuring multidisciplinary artist Edisa Weeks and her performance company DELIRIOUS Dances, culminating in the experimental solo performance 3 RITES: Liberty on Friday & Saturday, April 26 & 27. Leading up to the performance, audiences will have opportunities to meet the artist and participate in her process through the Welcome Dinner and Artist Talk on Monday, April 22 and in an exploratory dance class, Precision & Abandonment, on Wednesday, April 24, co-presented with KST Mutual Aid Partner PearlArts.

    Part performance, part installation, New York-based multimedia artist Edisa Weeks’ 3 RITES: Liberty boldly explores the Black experience in America both past and present. The work calls into question America’s spotty legacy of fulfilling the promises laid out in its founding documents. Alternating between blackface, whiteface, storytelling, and visceral dance, Weeks uses object iconography to dig into the pathologizing of African Americans and the foundations of liberty in America in this interactive solo performance.

    “We are deeply proud to have supported this project through our Local & Global Performance program, which cultivates performance works rooted in social justice and aesthetic experimentation,” says KST Executive Director Joseph Hall. “With 3 RITES: Liberty, Edisa Weeks has created an intense, thought-provoking, and socially engaged performance that both welcomes audiences and challenges them to reckon with the true meaning of Black liberation.”

    Audiences will enter the performance of 3 RITES: Liberty by moving through an installation of roots hung from ceiling to floor. At the center of the roots, audiences will find “Liberty”, played by Weeks. The genderless character’s hair is braided to resemble the Statue of Liberty’s crown, with each spoke of the crown connected via tie lines and pulleys to specific objects – Bible, black dick, blonde wig, gun, lightbulb, sneakers, watermelon. Weeks invites the audience to choose from a deck of flashcards depicting those objects, deciding which stories to tell about the Black experience in America.

    Following the performance, Kevin Jarbo PhD, Assistant Professor in the Department of Social and Decision Sciences at Carnegie Mellon University and co-facilitator of the Pittsburgh Racial Justice Summit, will moderate a dialogue with the audience.

    A choreographer, performer, and educator, Edisa Weeks’ extensive credits include numerous national and international dance performances in addition to founding her own Brooklyn-based company, DELIRIOUS Dances. 3 RITES: Liberty is part of Weeks’ 3 RITES trilogy, which draws on her experience creating multimedia interactive works that merge theater with dance to explore humanity’s deepest fears, desires, and dreams. The work is a hopeful call to action, and seeks to understand where our biases, bigotry, and racism come from, and how we together can create a more inclusive, just, and liberatory America.

    Pre-Performance Participation, Discussion, and Dance

    At the Welcome Dinner and Artist Talk on Monday, April 22, participants are invited to join Weeks for a meal and conversation in addition to helping construct the paper and twine roots that are a cornerstone of the final installation for 3 RITES: Liberty. Weeks describes events like these as “Root Parties,” something like a mash-up between a sewing bee and barbershop talk.

    Later in the week, participants will be offered another chance to connect with Weeks’ artistic process at Precision & Abandonment on Wednesday, April 24 at 9:00am – 10:15am. Co-presented by PearlArts, this movement class explores concepts of falling, momentum, and suspension. Using breath and structured improvisations, participants will explore a way of moving that emphasizes ease and encourages creative risk-taking.

    Elements of each of these events will come together in 3 RITES: Liberty on Friday and Saturday, April 26 & 27. The performance incorporates roots created at the Welcome Dinner. Concluding with a moderated discussion immediately after the show, 3 RITES: Liberty will culminate a week-long journey of creative experimentation and critical conversation around race and identity in America.

    KST’s presentation of 3 RITES: Liberty is made possible through the ArtsCONNECT program of the Mid Atlantic Arts Foundation, New England Foundation for the Arts’s National Dance Project, and the National Performance Network (NPN) Artist Engagement Fund. 3 RITES is a National Performance Network/Visual Artists Network (NPN/VAN) Creation & Development Fund Project co-commissioned by 651 ARTS, Mount Tremper Arts, RestorationART, Kelly Strayhorn Theater, DancePlace and NPN/VAN. The Creation & Development Fund is supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Arts.

    KST’s 2023–24 season, Brave Actions, Bold Voices, celebrates the artists, audiences, and communities who call KST home. Throughout the season, KST has hosted new offerings from Mutual Aid Residents Dreams of Hope and PearlArts, visual art exhibitions in the KST Gallery, Freshworks: New Performance in Process, and premieres of Local and Global Performances from longtime Pittsburgh favorites and returning faces. As a site of community building and resistance, KST defines itself as a home for artists and a space of care for historically resilient people.


    Welcome Dinner & Artist Talk with Edisa Weeks
    Monday, April 22, 2024 | 6:00pm – 8:00pm
    KST Alloy Studios | 5530 Penn Ave.

    Tickets for the Welcome Dinner & Artist Talk with Edisa Weeks are Pay What Moves You, $0 – $25 per attendee, and can be reserved at kelly-strayhorn.org

    Precision & Abandonment with Edisa Weeks
    Wednesday, April 24, 2024 | 9:00am – 10:15am
    KST Alloy Studios | 5530 Penn Ave.
    Co-Presented with PearlArts

    Tickets for Precision & Abandonment are Pay What Moves You, $10 – $25 per attendee, and can be reserved at kelly-strayhorn.org

    DELIRIOUS Dances / Edisa Weeks – 3 RITES: Liberty
    Friday & Saturday, April 26 – 27, 2024 | 7:30pm – 9:00pm
    Kelly Strayhorn Theater | 5941 Penn Ave.

    Tickets for 3 RITES: Liberty are Pay What Moves You, $15 – $35 per attendee, and can be reserved at kelly-strayhorn.org

    Warning: The show contains mature themes and potentially triggering content about psychological and sexual violence. Not recommended for children under thirteen.


    ABOUT THE ARTIST

    Edisa Weeks (she/her) – Concept, Choreographer, Performer – is a Brooklyn, NY based educator, choreographer and founder of DELIRIOUS Dances. She creates multimedia interactive work that merges theater with dance to explore our deepest desires, darkest fears and sweetest dreams. She grew up in Uganda, Papua New Guinea and Brooklyn, NY; and had the joy of performing with Annie–B Parsons Big Dance Theater, Bill T. Jones/Arnie Zane Dance Co., Dance Brazil, Homer Avila, Jane Comfort, Jon Kinzel, Muna Tseng, Reggie Wilson Fist & Heel Performance Group, Sally Silvers, Spencer/Colton Dance, among others. She is a recipient of several awards including a 2022 Creative Capital Grant. She teaches choreography, improvisation, dance technique, and mentors emerging artists at Queens College CUNY.

    ABOUT 3 RITES

    KST’s presentation of 3 RITES: Liberty is made possible through the ArtsCONNECT program of the Mid Atlantic Arts Foundation, New England Foundation for the Art’s National Dance Project, and the National Performance Network (NPN) Artist Engagement Fund. 3 RITES is a National Performance Network/Visual Artists Network (NPN/VAN) Creation & Development Fund Project co-commissioned by 651 ARTS, Mount Tremper Arts, RestorationART, Kelly Strayhorn Theater, DancePlace and NPN/VAN. The Creation & Development Fund is supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Arts.

    3 RITES is made possible in part through funding from the Brooklyn Arts Council; Creative Capital; Durst Organization; Harkness Foundation for Dance; The New England Foundation for the Arts, National Dance Project which is generously supported with lead funding from the Doris Duke Foundation and the Mellon Foundation; New Music USA; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; a PSC-CUNY Award, jointly funded by The Professional Staff Congress and The City University of New York; The Puffin Foundation, as well as through the sponsorship of The Field; and the generosity of individuals.

    3 RITES was researched, developed and honed with financial, administrative and residency support from BRICLab; Chashama Space to Create; ChoreoQuest at RestorationART – Billie Holiday Theatre; a remote residency with the Experimental Media and Performance Arts Center at Rensselaer Polytechnic Institute; Dance in Process at Gibney Dance with funds provided by The Andrew W. Mellon Foundation; the Harlem Stage WaterWorks Emerging Artists program, which received support from the Jerome Foundation and the Mellon Foundation; Mabou Mines SUITE/Space program; Maggie Allessee National Center for Choreography; Materials for the Arts; New York State Dance Force residencies at Topaz Arts and at Hobart and William Smith Colleges; Norte Maar @ Socrates Sculpture Park; Performance Spaces for the 21st Century; and Snug Harbor Cultural Center.

    ABOUT THE DISCUSSION MODERATOR

    Kevin Jarbo is an Assistant Professor in the Department of Social and Decision Sciences and Co-Director of the Data-Driven Diversity (D3) Lab in Dietrich College at Carnegie Mellon University. His current research focuses on college student engagement, help-seeking behavior, perceptions of diversity initiatives, and decisions to persist in higher education. He has also worked closely with CMU’s Center for Student Diversity & Inclusion to coordinate student-centered educational and social events that spotlight Black identity development and culture. Outside of his academic work, Kevin has served as the program chair for the annual Pittsburgh Racial Justice Summit planning committee since 2019. /////////////////////////////////////////////////////////////


    ABOUT KELLY STRAYHORN THEATER

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people. We welcome our home to all who uplift Black, Indigenous, people of color, and queer voices.

    KST is an institutional arts anchor in Pittsburgh’s East End that has served the community for more than two decades. Since launching KST Presents programming in ’08, KST has been Black-led, fostering radical imagination for Black and queer arts, culture, and community in Pittsburgh by cultivating BIPOC and/or queer artists, entrepreneurs, and arts administrators, developing their careers, and shifting narratives around Black possibility.

  3. To Experience Tina is to Witness Fire

    An excerpt from the curtain sermon for Simply the Best on March 16, 2024

    Tonight, we honor the legacy of the Queen of Rock n Roll. Acid Queen. Anna Mae, if ya know. Ms. Tina Turner was born on November 26, 1939 in Tennessee where she spent part of her childhood picking cotton on a farm in Nutbush, and sang in the choir of the Spring Hill Baptist Church. Ms. Tina leaned on spirituality throughout her life. She was a devout Buddhist rocker for more than 50 years. 

    In an interview with the Harvard Business Review in 2021 Ms. Tina said, “Of everything I’ve done to succeed as an artist, spirituality has had the greatest influence.” In 1984 she told the LA Times, “You take away the bondage, the problems, the hang-ups, the egos, and I can fly. I can laugh, I can dance, I can sing, and I don’t grow tired. Freedom. That’s my motivation.”

    In one of Buddha’s teachings “The Fire Sermon” he explains to find freedom, we must release our attachment to desires. Our cravings and desires cause suffering, just like a spreading fire destroys everything. But fire can also purify and transform. Indigenous practices use fire to protect the land, while the burning bush transformed Moses into a leader for his people.  

    And the Proud Mary keeps on burnin’.  

    A black & white photograph of Tina Turner onstage, wearing a black dress. She is holding her microphone stand and singing passionately, looking off toward the side. Instruments are barely visible in the background, and there is a vintage-looking golden confetti-esque treatment over the image

    When recounting Ms. Tina’s time with the Ike and Tina Turner Revue, Cultural Anthropologist, Maureen Mohon wrote, “she and the Ikettes sang full throttle and performed rapid-fire dance steps; those whirling arms, swinging hair and fringed mini dresses. Tina wasn’t afraid to be sexy and she wasn’t afraid to sweat.” 

    Tennessee History Professor Dr. Elwood Watson proclaimed, “She unabashedly screamed, shouted, kicked, and thunderously belted out vocals — all of which cultivated a fierce, brash aura that provided rock and roll one of its most distinctive sounds. Tina Turner brought an uncompromised strand of black Southern music, the sound of the Chitlin’ Circuit itself.” 

    “Her voice was a spiritual successor to that of Big Mama Thornton, Sister Rosetta Tharpe, LaVern Baker, and many other Black women who laid the foundations of rock & roll,” adds writer Lester Fabian Braithwaite.

    And, yes, she went through fire. 

    “She was the first star to talk aloud about domestic violence, to insist on it as part of her story,” said Rob Sheffield of Rolling Stone. “Until she came along, the idiom ‘domestic violence’ wasn’t even part of the language.”

    They say ‘Hell hath no fury like a woman scorned’ but I say move out the way of a badass on fire, reclaiming her time and insisting on living her peace.

    To experience Tina Tuner is to witness fire, the crackling, sputtering, snapping, roaring blaze, popping, sizzling, the crisp snip-snap-whoosh, a ceremonial cleansing on stage sending a whirling smoke signal up to the heavens, inviting us to let go, to shake a tail feather, to join the disco inferno, to get free. 

    Rob Sheffield summed up Ms. Tina’s legacy by acknowledging that, “Nothing could ever scare the fire out of her voice, which carried the whole story of American music in it.” 

    Additional Resources:

    Podcasts

    Book

    Articles

    Photo Credits: Delaney Greenberg, Mingsi Ma, Randall Coleman

  4. KST’s Freshworks Program Supports Local Performances in Progress Exploring Diaspora and Bodily Autonomy

    Caroline Yoo / Davine Byon and Anna King Skeels in April and May

    East Liberty, Pittsburgh, PA—Kelly Strayhorn Theater welcomes audiences to KST’s Alloy Studios for artists Caroline Yoo and Davine Byon’s new performance in progress, Prophecies & Soy Sauce Shots on Friday and Saturday, April 5 – 6 at 7:30pm and Anna King Skeels’ unstitch on Friday and Saturday, May 3 – 4 at 7:30pm. Each performance includes a post-show discussion. The events are parts of KST’s Freshworks program, a creative residency offering an exciting glimpse into emerging artistic endeavors. 

    Freshworks first debuted at KST in 2013 and has been supporting innovative exploration in performance through interdisciplinary work in contemporary dance, theater, music, and multimedia. 

    Each season, we proudly present two projects from promising Pittsburgh-based artists and support them with two months of guidance, studio time, financial resources, and encouragement for creative risk-taking. The goal of the residency is for the artist to experiment and explore early iterations of ideas and share a draft of these concepts in front of an audience. 

    Prophecies & Soy Sauce Shots is an experimental performance comprising movement, text, music, sound, smell, and media. Artists Yoo and Byon guide the audience through three distinct vignettes, exploring the intricacies of their cultural identities, communal memories, and perceptions of belonging.

    Yoo and Byon begin their exploration with an intimate conversation about their relationship with food, the Korean diaspora, and each other. They then lead an interactive satirical diversity exercise, prompting the audience to question the societal narratives imposed on their bodies. Finally, community collaborators join them in collective movement and music, “creating a home for ourselves within ourselves,” as Yoo comments. 

    For their May presentation, Freshworks artist Anna King Skeels focuses on healing the relationship between one’s mind and body. Their performance, unstitch, is a big-hearted and unadulterated tour through the organs of a soft and scarred body being torn apart at the seams. 

    This new performance in progress examines the effects of our relationships with others and the trauma we have endured on vital parts of our bodies from the point of view of a fat queer person. With movement and fiber arts at its center, unstitch is a gutsy theatrical exploration of a person’s inner workings. 

    KST’s Programming Manager Sarah Gilmer talks about how both groups of artists got selected for Freshworks, “as artists, they have presented compelling new works which are relevant to our society in meaningful ways”. 

    At the same time, Gilmer emphasizes Freshworks’ mission: “We want to encourage the creative exploration of Pittsburgh-based artists and support them through their journey. They are all at pivotal moments in their careers as artists and we’re grateful to provide space for them to bring their ideas to life.”

    A site of community building and resistance, KST is a home for artists and a welcoming space for historically resilient people. We look forward to having you join the performance and stay for the post-show discussion

    Artists interested in future Freshworks opportunities can apply for the 2024/2025 cycle beginning May 6, 2024. Preview the application now in the application guidelines and sign up for the Info Session on Tuesday, May 14, 2024.


    Freshworks: Caroline Yoo and Davine Byon, Prophecies & Soy Sauce Shots

    Friday & Saturday, April 5 – 6, 2024
    7:30pm – 9:00pm (including discussion)

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $25

    Tickets for Prophecies & Soy Sauce Shots are available on a sliding scale, from $10 to $25 per attendee, and can be purchased at kelly-strayhorn.org or at the door.

    Freshworks: Anna King Skeels, unstitch

    Friday & Saturday, May  3 – 4, 2024
    7:30pm – 9:00pm (including discussion)

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $25

    Tickets for unstitch are available on a sliding scale, from $10 to $25 per attendee, and can be purchased at kelly-strayhorn.org or at the door.


    ABOUT THE ARTISTS

    Caroline Yoo is an interdisciplinary artist working in performance, social practice, intimate gatherings, and video installations. She uses translation to map forgotten histories – to reveal psychological shadows haunting the diaspora – and performs contemporary translations of rituals for the living. She is a co-founder and leader of JADED PGH, Hwa Records, and Han Diaspora Group, artist collectives focused on the Asian diaspora experience. Yoo has performed, exhibited, and produced at Carnegie Museum of Art; Institute of Contemporary Art, San Francisco; University of Michigan Ann Arbor; McDonough Museum of Art; University of Southern California; LA Art Show; Kelly Strayhorn Theater and more.

    //////////////////////////////////////////////////////////////////////

    davine byon is an artist learning to fall in love with awkwardness, koreanness, mistranslations, and herself; this project is a checkpoint in that endeavor. her recent work in theatrical media design and performance art have been featured at Kelly Strayhorn Theater, Rivers of Steel, Quantum Theatre, the Miller Institute for Contemporary Art, Pao Arts Center, Lenfest Center for the Arts, the New Hazlett Theater, City Theatre Company, and The Andy Warhol Museum; BFA Carnegie Mellon University.

    //////////////////////////////////////////////////////////////////////


    Anna King Skeels (they/them/theirs) is a playwright, actor, and big nerd originally from Baltimore, Maryland, and currently living in Pittsburgh, Pennsylvania as a recent grad of Point Park University Theatre Arts. With an objective of using theatre as a tool for social justice, they create work with the intent to empower marginalized individuals. Skeels believes that community liberation and healing is possible through theatrical strategy. A psychological movement enthusiast, Skeels is always looking for a chance to make your theatre experience as queer as possible and take every opportunity they can to celebrate fat and trans bodies.

    //////////////////////////////////////////////////////////////////////


    ABOUT KELLY STRAYHORN THEATER

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people. We welcome our home to all who uplift Black, Indigenous, people of color, and queer voices.

    KST is an institutional arts anchor in Pittsburgh’s East End that has served the community for more than two decades. Since launching KST Presents programming in ’08, KST has been Black-led, fostering radical imagination for Black and queer arts, culture, and community in Pittsburgh by cultivating BIPOC and/or queer artists, entrepreneurs, and arts administrators, developing their careers, and shifting narratives around Black possibility.

  5. FOR IMMEDIATE RELEASE: Simply the Best: A Tina Turner Tribute Concert Vibrates with Explosive Energy

    A black & white photograph of Tina Turner onstage, wearing a black dress. She is holding her microphone stand and singing passionately, looking off toward the side. Instruments are barely visible in the background, and there is a vintage-looking golden confetti-esque treatment over the image.

    East Liberty, Pittsburgh, PA—Kelly Strayhorn Theater is proud to present Simply the Best: A Tina Turner Tribute Concert with Dwayne Fulton on Saturday, March 16 at 7:30 p.m.

    Invoking Tina Turner’s magnetic energy and earthshaking talent, Simply the Best explores the singer’s star-studded half-century career. As Rolling Stone wrote in 1969, Turner “comes on like a hurricane. She dances and twists and shakes and sings and the impact is instant and total.” With musical direction by Dwayne Fulton, a celebrated Pittsburgh-based musician, pianist, and composer, Simply the Best features a host of talented local performers: Chanell C.J. Harris, Julia Flowers, J.R. Jones, Michael Davis, Zuliakha Mason, Krystyn Kirkland, and Gary Davis.

    “We are grateful to collaborate once again with Dwayne, who helps bring these larger-than-life musical legacies to the stage in full, vibrant color,” says Joseph Hall, KST’s Executive Director. “Our purpose is to uplift historically resilient communities and extend the legacy of artistry that Pittsburgh represents, ensuring that Black and queer folks in our city have space to create, express, and celebrate together. This program embraces Tina Turner’s effusive energy and astounding life story, demonstrating the power and value of artistic expression, joy, and fearlessness.”

    Dwayne Fulton is onstage playing the piano with a bright smile. He is a bald Black man, wearing sunglasses and headphones, dressed in a light blue suit jacket patterned with big white flowers. He is lit by an overhead stage light in front of a pink backdrop

    Since 2020 KST has been collaborating with Dwayne Fulton on a recurring series of tribute concerts honoring musical genres and artistic legends. From Black & Solid Gold: the Hits of Magnificent Motown in Fall 2021 to When Doves Cry, the sold out and spectacular Prince tribute in February 2022, to last year’s R.E.S.P.E.C.T. An Aretha Franklin Tribute Concert, these one of a kind concerts have brought some of Pittsburgh’s greatest musicians to the KST stage to celebrate musical greats of our time. For 2024 Fulton and KST are delighted to honor Tina Turner with Simply the Best.

    To embody the earthshaking talents of Turner, Fulton cast Chanell C.J. Harris, an established singer and recently returned Pittsburgh native who performs the Con Alma jazz club with Tempo Noir. Harris, who has performed and produced music on stage and sets across the country, finds inspiration in Turner’s versatile genre influences and later-career success story.

    “There are a lot of parallels in her story and mine,” says Harris. “She didn’t get her first real hit record until she was 44 years old, and I’m 45 years old. This industry can age a lot of people out, because they always want the new, younger talent. But sometimes they pass over some really dynamic individuals. The story we’re telling is all about Tina’s energy, energy, energy. It’s going to be nonstop from the time we hit.”

    KST’s 2023–24 season, Brave Actions, Bold Voices, celebrates the artists, audiences, and communities who call KST home. Throughout the season, KST has hosted new offerings from Mutual Aid Residents Dreams of Hope and PearlArts, visual art exhibitions in the KST Gallery, Freshworks: New Performance in Process, and premieres of Local and Global Performances from longtime Pittsburgh favorites and returning faces. As a site of community building and resistance, KST defines itself as a home for artists and a space of care for historically resilient people.


    SIMPLY THE BEST: A TINA TURNER TRIBUTE CONCERT WITH DWAYNE FULTON

    Saturday, March 16, 2024|  7:30pm – 9:30pm

    Kelly Strayhorn Theater  |  5941 Penn Ave. Pittsburgh, PA 15206

    Tickets for Simply the Best: A Tina Turner Tribute Concert with Dwayne Fulton are Pay What Moves You, $25 – $65 per attendee, and can be reserved at kelly-strayhorn.org.


    ABOUT THE ARTISTS

    With over 30 years of experience as a pianist, music director, and composer, Dwayne Fulton fully understands the power of the arts and its influence on the earth. Dwayne is the founder and Chief Executive of Kingdom People Productions and The SouLyfe Cafe. Dwayne has had the honor of accompanying Grover Washington, Jr., Roger Humphries, Sean Jones, and Nathan Davis. He has also shared the stage with Keith Sweat, Guy, Fred Hammond, Bobby Jones, Kirk Franklin, The Pittsburgh Symphony Orchestra and Michael Bublé. Prior collaborators include Pittsburgh Festival Opera, The Kuntu Repertoire Theatre, Kelly Strayhorn Theater, DeMaskus Productions, and the August Wilson Center.

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    Chanell C.J. Harris is a singer-songwriter, performer, and executive music licensing manager. Since recently returning to her native city of Pittsburgh, Chanell has curated and created original music for “The Writer’s Landscape”, a permanent exhibition at the August Wilson African American Cultural Center. Chanell is a ASCAP FILM & TV Award winner for her original work on the BET hit show Real Husbands of Hollywood where she also served as Music Supervisor. Chanell performs regularly in Downtown Pittsburgh’s Con Alma with the band Tempo Noir. Having spent 10 years in the Music to Picture industry, Chanell is now focusing her talents on creating a music catalogue for underserved markets and emerging streaming and media platforms.

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    Julia Flowers, a native of Pittsburgh, PA., has been singing since the age of 11. Julia has been a faithful member of the Mt. Ararat Baptist Church Praise Team for the past 15 years. She has sung with artists including Trini Massie and 4 The Caz of Christ, Travis Malloy, among others. Julia has also sung Background vocals for artists including Anita Wilson, Tod Galberth, Kelontae Gavin, Geoffrey Golden, Stevie Wonder, and Common. Julia is a graduate of California University of Pennsylvania with a Bachelor of Science degree in Human Resource Management. And most importantly, Julia is the proud parent of the beautiful and precious Gia Rose.

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    J.R. Jones, a dedicated member of Mount Ararat Music Ministry since 1998, contributes his musical talents to local choirs and groups. Noteworthy achievements include drum accompaniment on live recordings like Patrick Polk & Worship’s, “An Awesome God” and Mount Ararat Music Ministry’s, “Called to Relationship”. In 2014, J.R. and his bandmates from The Brydge released their debut album, “Livin Lyfe: The Experience, Vol. I”, this year celebrating their 10th anniversary with new music and a concert. Grateful for the opportunity to share his gift through drumming, J.R. remains committed to enriching the world through his musicianship.

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    Michael Davis, a versatile guitarist, excels in lead and rhythm across diverse genres including classical, gospel, and musical productions. Formerly an instructor at the Afro-American Music Institute under Dr. James Johnson, he contributed to gospel recordings for artists like Anita Levels and groups like Kingdom People. His stage presence extends to gospel musicals like “Forgiven” and “From Chains To Gains”. Michael performed in Kelly Strayhorn Theater’s Prince musical tribute concert, “When Doves Cry”, in 2022.  Currently, Michael’s musical journey continues with residencies at Covenant Church of Pittsburgh and performances with groups like The Brydge and Spirit-Filled, showcasing his enduring passion for music.

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    Krystyn Kirkland, a Pittsburgh native, has been singing since childhood. Her passion for music began at Rogers Creative and Performing Arts middle school, nurtured by her musically talented parents. She’s collaborated with local and national artists, specializing in professional background singing while also adept as a lead vocalist. Married to producer Jerome O. Kirkland Jr., they co-own Vivid Music Group, striving for excellence in musicianship. As a mother of three, Krystyn balances her music career with nurturing her children, Christian, Sydney, and Nia.

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    Zuliakha Mason, originally from Philadelphia, who has been active in Pittsburgh’s music and theater scene since 2001. From church solos to backing up local and major recording artists, her heart is in every note she sings. When she is not on stage, she enjoys quality time with her family, mentoring, teaching adults, children and youth in her field of Early Childhood Education.

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    Gary Davis, also known as “Down Home”, has performed with many local and national artists. Davis is the bass player for Pittsburgh’s House of Soul band which has opened for high profile stars such as Aretha Franklin, the Commodores, the Dramatics, the SOS Band, Janet Jackson, Kool & the Gang, Maze featuring Frankie Beverly, Bobby Womack, 112, and the Whispers.

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    ABOUT KELLY STRAYHORN THEATER

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people. We welcome our home to all who uplift Black, Indigenous, people of color, and queer voices.

    KST is an institutional arts anchor in Pittsburgh’s East End that has served the community for more than two decades. Since launching KST Presents programming in ’08, KST has been Black-led, fostering radical imagination for Black and queer arts, culture, and community in Pittsburgh by cultivating BIPOC and/or queer artists, entrepreneurs, and arts administrators, developing their careers, and shifting narratives around Black possibility.

  6. FOR IMMEDIATE RELEASE: KST and Let’s Get Free Give Incarcerated Artists Their Moment with Abolitionist Expressions

    EAST LIBERTY, PA – On Thursday, February 29, the visual arts exhibition Abolitionist Expressions opens at Kelly Strayhorn Theater (KST), featuring art made by people in prison as well as artists in solidarity from outside of prison.

    The exhibition will run from Thursday, February 29 to Saturday, June 8 at KST’s lobby gallery, with an opening reception on February 29 at 6:00pm. The gallery is open to the public during and one hour before every KST Presents event. Arrive early and take a look!

    The exhibition is curated by Let’s Get Free, a Pittsburgh-based organization that works to end perpetual punishment and build a pathway out of the prisons and back into our communities. It draws from their permanent collection and chronicles the current moment of abolitionists through drawing, paintings, prints, cross-stitch, banners, and poetry.

    The artworks explore personal stories that express political yearnings and aspirations for the future. Instead of punishment and governmental institutionalization, Let’s Get Free works to shift the culture to transformative justice, responding to violence without creating more violence.

    According to Let’s Get Free, “art as a tool for liberation has been a central element of our work since its inception. The art shows have steadily built advocacy for the release of deserving individuals from Pennsylvania state prisons and have created conversations and collaborations that invite meaningful reciprocity between the prison walls.”

    At KST, our mission is deeply rooted in the liberation of Black and queer people. We celebrate diversity in voice, thought, and expression, and uphold a firm commitment to inclusion. KST provides a welcome space for dialogue and artistic expression for all who enter.

    In a society grappling with issues of justice and incarceration, Abolitionist Expressions at KST stands as a testament to the power of art in fostering conversations around transformative justice.

    For full details on Kelly Strayhorn Theater’s upcoming Winter/Spring 2024 programming, click HERE.

    Download the .pdf HERE. 


    ABOUT LET’S GET FREE

    Let’s Get Free: The Women & Trans Prisoner Defense Committee is a Pittsburgh-based organization working to end perpetual punishment, build a pathway out of the prisons back to our communities through commutation reform, support successful possibilities for people formerly and currently incarcerated, and shift to a culture of transformative justice.

    Let’s Get Free’s Creative Resistance committee works on the annual art show, public service announcements, social media graphics, films, Daughters magazines and newsletters and all things creative. Let’s Get Free has used art as an organizing tool since its inception, raising awareness about excessive sentencing while prioritizing the voices of women and trans people in prison.

    For more information on Let’s Get Free:

    letsgetfree.info

    Creative-resistance.org

    letsgetfreepa@gmail.com


    ABOUT KELLY STRAYHORN THEATER

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people. We welcome our home to all who uplift Black, Indigenous, people of color, and queer voices.

    KST is an institutional arts anchor in Pittsburgh’s East End that has served the community for more than two decades. Since launching KST Presents programming in ’08, KST has been Black-led, fostering radical imagination for Black and queer arts, culture, and community in Pittsburgh by cultivating BIPOC and/or queer artists, entrepreneurs, and arts administrators, developing their careers, and shifting narratives around Black possibility.

  7. FOR IMMEDIATE RELEASE: Kelly Strayhorn Theater Presents: Justice in Action

    EAST LIBERTY, PA — Kelly Strayhorn Theater (KST) celebrates Rev. Dr. Martin Luther King Jr. by gathering performers and community partners who honor his legacy of empowerment, education, and justice in action. On January 15, celebrations at Kelly Strayhorn Theater begin with Justice in Action from 12:00pm – 3:00pm. KST is grateful to partner with community organizations True T Pittsburgh, Repair the World, Young Black Motivated Kings & Queens (YBMKQ), Ksci-Art Initiative Partnership, City of Asylum, and Assemble, all of whom will offer family friendly activities in the KST lobby, and actively work to make Pittsburgh a more just and loving place to live and thrive. 

    From 1:00pm – 2:00pm, Justice in Action centers performances that recognize the civil rights legacy of Dr. King and Pittsburgh activists past and present. Hosted by Jacquea Mae, an international vocalist, actress and creative artist, performance will be presented by Hill Dance Academy Theatre, K-Theatre Dance Complex, Alumni Theater Company, and Jacquea Mae and Byron Nash. Tickets for Justice in Action are Pay What Moves You: $0 – $25.

    “Human progress is neither automatic nor inevitable … Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.” —Rev. Dr. MLK Jr. 

    KST recognizes that MLK Day is not only a day for celebrating Dr. King, but a day for recognizing how he is a part of a larger collective movement towards Black liberation. From historical figures like Marsha P. Johnson and Audre Lorde to contemporary icons like Mari Copeny (Little Miss Flint) and Kylar W. Broadus, KST recognizes the “tireless exertions and passionate concern” of the very people who often have the most to lose in the fight for justice.

    In the evening at 7:00pm the 17th annual Let Freedom Sing concert celebrates the social justice legacy of Rev. Dr. Martin Luther King, Jr. with The Heritage Gospel Chorale and MLK Festival Choir. The event is an intergenerational and all-gender inclusive vocal workshop focused on vocal performance, social justice, and mental & physical health, led by Herbert Jones, Anqwenique Kinsel, and Nikki Porter. Tickets for Let Freedom Sing are Pay What Moves You: $2 – $50.

    Download the .pdf HERE. 

    For full season details, KST COVID policy updates, and tickets, go to kelly-strayhorn.org


    ABOUT THE ARTISTS FOR JUSTICE IN ACTION

    Jacquea Mae is an international vocalist, actress & creative artist that has graced the mic at many venues, festivals, open mics & more, throughout the city of Pittsburgh, Switzerland, Ghana & beyond. Ms. Mae continues to rave reviews for her powerful and soulful performances. Jacquea’s talents, mixed with her passion for teaching and working with youth has blessed her to mentor, care and support youth throughout the neighborhoods of Pittsburgh for over fifteen years. Ms. Mae is a dedicated community activist, determined to create what she doesn’t see. Jacquea continues teaching youth, advocating for the people & asserting her creativity with a voice and spirit that soars! @fearlessmae1023_

    Alumni Theater Company (ATC) is a year-round program providing talented Black youth in grades 6-12 with high quality performing arts training and a platform to express their ideas. ATC is currently in its 15th season of creating bold theatrical work that gives fresh voice to the experience of young Black artists and highlights their rich contribution to our community. Alumnitheatercompany.org @alumnitheatercompany

    K-Theatre Dance Complex (KTDC), is a dance academy that provides quality dance instruction in several major areas of dance, which include Ballet, Contemporary, Modern and Hip Hop. Led by Artistic Director Kontara Morphis, and Arts Education Director Rickia Davenport, KTDC curriculum incorporates dance theory, terminology and dance theater. KTDC has largely impacted the physical, academic, creative, and personal development of its students. facebook.com/ktheatredancecomplex 

    Hill Dance Academy Theatre (HDAT), a Pittsburgh Cultural Treasure is a 501c3 non-profit organization located in the Historic Hill District of Pittsburgh, PA., founded in 2005 by Ayisha Morgan-Lee, Ed.D. to provide children, youth, and teens, ages 3 to 18, access and opportunity to dance. ​HDAT trains students ages 3 – 18 in various styles of concert dance, fitness and nutrition, and leadership skills. HDAT’s mission is to provide professional level training in Black Dance traditions, history, culture, and aesthetics that engages and empowers students to pursue careers in Black dance. 5678hdat.org

    ABOUT THE ARTISTS FOR LET FREEDOM SING

    The Heritage Gospel Chorale of Pittsburgh is a multi-generational, multi-ethnic ensemble founded by Dr. Herbert V.R.P. Jones. The Chorale specializes in the performance and preservation of African-American Sacred Choral Music, Sacred Choral Music, Spirituals, Anthems, and Gospel Music. The Chorale has a seven- member Board of Directors and includes, in its Mission, collaborations with other choral and instrumental ensembles, organizations and musical entities. 

    Director of The Heritage Gospel Chorale of Pittsburgh since its founding, Dr. Herbert Jones is one of the nation’s foremost figures in choral conducting and pedagogy.  Dr. Jones has cultivated multifaceted career as a choral conductor, educator, scholar, operatic bass, liturgical dancer, orator, pastor.  He has taught middle school through university levels, performed across the United States and Europe and has received many accolades for his work and achievements.  Dr. Jones holds degrees in Music, Psychology, Education, Dance & Drama, culminating with a doctorate in Choral Conducting & Music Education, and with additional study in Ethnomusicology.   

    A versatile vocalist and teaching artist specializing in opera, classical music, jazz, and soul, Anqwenique Wingfield Kinsel is heard all over the region, from Andy’s at the Fairmount downtown, to the New Hazlett Theater, to residency performances at the Westmoreland County Museum of American Art. She grew up in Pittsburgh, steeped in jazz as her father was a musician. A frequent teaching artist, Anqwenique is on the faculty of CLAZZ International Music Festival in Italy. She was named one of Pittsburgh’s 40 under 40 in 2017 and serves as director of programs for Arts Education Collaborative.

    Singer, songwriter, teacher, choir director, actress and recording artist, Rev. Nicol “Nikki” Porter is Minister of Music at Eastminster Presbyterian Church, where she founded an after-school music program, The Judah Project, in 2005.  She sings and teaches in the US and Europe.  Nikki holds a bachelor’s degree in business from Duquesne University where she also studied piano and voice (with Maureen Budway) and founded Duquesne’s Gospel Choir.  An activist, Rev. Porter has worked with various local and national groups. In 2019, Pittsburgh’s YWCA awarded Rev. Porter with their Racial  Justice Awards Common Ground Award for her work in racial reconciliation. 


    ABOUT THE COMMUNITY PARTNERS

    Young Black Motivated Kings & Queens (YBMKQ) is a community-based organization made up of dedicated young people in Pittsburgh. In the face of constant discouragement and scrutiny, a group of young men and women have chosen to stand apart and show the community that young black kings and queens are active, motivated, and empowered to be the change. Our primary mission is engaging middle and high-school-aged youth in becoming the leaders of tomorrow while serving the community. In addition to providing enriching opportunities for youth, we plan events for community members to come and build strong connections with the youth, and network. ybmkq.org @ybmkq.412

    The mission of True T is celebrating queer people of color through creative art, community health, and social activism. Mrs. Tracey Bryant leads True T‘s Unique Jewelry Workshop at KST’s MLK Day! Join us for a hands-on journey, turning raw materials into one-of-a-kind craft jewelry under Mrs. Bryant’s expert guidance. Participants will create stunning masterpieces onsite, ensuring a unique and personalized experience. Don’t miss this chance to unleash your creativity and take home a bespoke work of art. Join us at KST for a day of craft, community, and celebration this MLK Day with True T’s Unique Jewelry Workshop! truetpgh.com @truetpgh

    Repair the World mobilizes Jews and their communities to take action to pursue a just world, igniting a lifelong commitment to service. Repair the World Pittsburgh has been connecting neighbors to show up for non-profit partners in Pittsburgh since 2013, strengthening communities and building connections across lines of difference: rpr.world/volunteerpgh   

    Ksci-Art Initiative Partnership with East Liberty Ministry Hub is an after school program dedicated to intentional time with teens in a variety of areas, including STEM, art, cooking, mentoring, sports, games, life skills and intentional conversation.

    City of Asylum builds a just community by protecting and celebrating freedom of creative expression. We provide sanctuary to endangered writers and artists, so that they can continue to create and their voices are not silenced. We offer a broad range of free literary, arts, and humanities programs in a community setting to build social equity through cultural exchange. And by transforming dilapidated properties into homes for our programs, we anchor neighborhood economic development. Learn more at cityofasylum.org.

    Assemble envisions a world where learning and creating are transformative experiences and where all people are equipped with the tools to make a difference, together. At Assemble, we use learning as a tool to create a more equitable future for youth and learners in the Pittsburgh region and beyond. We build confidence through making; connect learners, makers, technologists, and artists; and nurture agency in learners. We offer free afterschool, Saturday programs, camps, and more for kids as well as adult programs. Visit us at Assemble 4824 Penn Ave, Pittsburgh, PA 15224   assemblepgh.org, or @assemblepgh on social media.


    ABOUT KELLY STRAYHORN THEATER

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is reflective of the passion that its founders had for the arts. Today,  Kelly Strayhorn Theater carries on the legacy of its founders by fostering bold and innovative artistry with a global perspective. KST celebrates diversity in voice, thought, and expression, and upholds a firm commitment to inclusion. Furthermore, KST provides a safe and welcome space for dialogue and artistic expression for all who enter.

    Kelly Strayhorn Theater has a dynamic footprint in Pittsburgh, with two venues running along Penn Avenue. KST’s Alloy Studios is a cultural hub in the heart of East Liberty, and the historic Kelly Strayhorn Theater is located in the thriving business district. More than 20 years after the founding of the theater, KST continues to use its broad reach to impact the contemporary arts and the community.

  8. FOR IMMEDIATE RELEASE: Kelly Strayhorn Theater Announces Winter/Spring 2024 Season

    Give me a lifetime of promises / and a world of dreams /Speak a language of love / like you know what it means

    – Tina Turner

    EAST LIBERTY, PA— The Winter/Spring 2024 KST Presents season promises to bring you simply the best! From a Tina Turner tribute concert to Abolitionist Expressions, a visual art exhibition showcasing incarcerated artists, KST continues to celebrate the Brave Actions and Bold Voices in our community. 

    The season features exciting offerings from Mutual Aid Residents Dreams of Hope and PearlArts, a visual art exhibition in the KST Gallery, two Freshworks performances-in-progress, and two week-long series of Local and Global Performances from new and returning faces. 

    We begin the year with Youth & Family Programming. Justice in Action: A Celebration of Rev. Dr. Martin Luther King Jr. gathers performances and family activities centering social justice on MLK Day, followed by the Let Freedom Sing concert in the evening. Later in February, The Alloy School returns with new recreational classes for all ages.

    Our partnerships with Mutual Aid Residents PearlArts and Dreams of Hope continue throughout the Winter/Spring. We encourage you to partake in PearlArts’ Adult Ballet and Adult Jazz/Heels classes, as well as Dreams of Hope’s theatriQ Creative Sessions tailored to nurture the creativity of Queer and Trans youth. 

    Drawn from the Let’s Get Free permanent collection made by people in prison as well as artists in solidarity from outside of prison, art exhibition Abolitionist Expressions at our gallery space explores personal stories that express political yearnings and aspirations for the future.  

    In March, we have Simply the Best, A Tina Turner Tribute Concert with Dwayne Fulton, a highly anticipated concert that brings the explosive energy and unforgettable classics of the legendary artist. We welcome you to wear comfortable shoes for this one you’ll be spending little time in your seat!

    Our Winter/Spring Freshworks Residencies support new performance in process from three local artists. First, Caroline Yoo and Davine Byon present Prophecies & Soy Sauce Shots, an experiment in storytelling that spans from the past, present to future. They move through three vignettes, using projections, sculpture, music, and the exchange of dreams, to piece together a precious home in the diaspora. 

    Then, Anna King Skeels brings unstitch, taking us on a journey through the experiences of a fat queer person. This new performance examines our relationship to our bodies through movement and fiber arts. 

    The Local & Global Performance series welcomes two weeks of programming from multi-disciplinary artists Edisa Weeks and Mita Ghosal. After a movement workshop, welcome dinner & artist talk, Edisa’s April engagement culminates in the Pittsburgh premiere of 3 RITES: Liberty. Edisa alternates between blackface, whiteface, storytelling, and visceral dance to dig into the pathologizing of African Americans and the foundations of Liberty in America.

    Mita Ghosal’s weeklong May programming brings Lost on a Loom to KST’s Alloy Studios, examining lost South Asian histories through Indian textiles and movement. Weaving together a Bengali protagonist with the stories of fabric from Bengal, the dance piece draws parallels to the movement of material, the movement(s) of people and economic and social disparities that continue to remain in modern history.

    We can’t wait to journey through the winter into the spring with you, feeling warm, inspired, and part of a brave, bold community

    Download the .pdf HERE.


    YOUTH & FAMILY | MUSIC | DANCE | THEATER
    Justice in Action
    A Celebration of Rev. Dr. Martin Luther King Jr.

    Monday, January 15
    12:00pm – 3:00pm

    Kelly Strayhorn Theater | 5941 Penn Ave.
    Pay What Moves You: $0 – $25

    Click for more details…


    YOUTH & FAMILY | MUSIC | COMMUNITY
    Let Freedom Sing
    Celebrating Social Justice in Song

    Monday, January 15
    7:00pm

    Kelly Strayhorn Theater | 5941 Penn Ave.
    Pay What Moves You: $2 – $50

    Click for more details…


    YOUTH & FAMILY | THEATER | DANCE | VISUAL ART
    The Alloy School
    Ten-Week Session

    Saturdays, February 3 – April 6
    Times Vary

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $220

    Click for more details…


    KST GALLERY | VISUAL ART
    Abolitionist Expressions
    Let’s Get Free Permanent Collection

    Thursday, February 29 – Saturday, June 8
    Opening Reception: Thursday, February 29 at 6:00pm

    Kelly Strayhorn Theater | 5941 Penn Ave.
    Pay What Moves You: $0 – $25

    Click for more details…


    SPECIAL EVENTS | MUSIC
    Simply the Best
    A Tina Turner Tribute Concert with Dwayne Fulton

    Saturday, March 16
    7:30pm – 9:30pm

    Kelly Strayhorn Theater | 5941 Penn Ave.
    Pay What Moves You: $25 – $65

    Click for more details…


    FRESHWORKS | THEATER | DANCE
    Caroline Yoo & Davine Byon
    Prophesies & Soy Sauce Shots

    Friday & Saturday, April 5* – 6* 
    *with discussion
    7:30pm – 9:00pm (including discussion)

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $25

    Click for more details…


    LOCAL & GLOBAL PERFORMANCE | COMMUNITY 
    Welcome Dinner & Artist Talk 
    with Edisa Weeks

    Monday, April 22
    6:00pm – 8:00pm

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $0 – $25

    Click for more details…


    LOCAL & GLOBAL PERFORMANCE | WORKSHOP
    Precision & Abandonment
    With Edisa Weeks
    Co-Presented with PearlArts

    Wednesday, April 24
    9:00am – 10:15am 

    KST’s Alloy Studios | 5530 Penn Ave
    Pay What Moves You: $10 – 25

    Click for more details…


    LOCAL & GLOBAL PERFORMANCE | THEATER | DANCE
    DELIRIOUS Dances / Edisa Weeks
    3 RITES: Liberty

    Friday & Saturday, April 26* – 27*
    *with discussion
    7:30pm – 9:00pm (including discussion)

    Kelly Strayhorn Theater | 5941 Penn Ave.
    Pay What Moves You: $15 – $35

    Click for more details…


    FRESHWORKS | THEATER | DANCE
    Anna King Skeels
    unstitch

    Friday & Saturday, May 3* – 4*
    *with discussion
    7:30pm-9:00pm (including discussion)

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $25

    Click for more details…


    LOCAL & GLOBAL PERFORMANCE | COMMUNITY
    Welcome Dinner & Artist Talk
    with Mita Ghosal

    Monday, May 13
    6:00pm – 8:00pm

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $0 – $25

    Click for more details…


    LOCAL & GLOBAL PERFORMANCE | WORKSHOP
    Material of a Story
    with Mita Ghosal
    Co-Presented with PearlArts

    Wednesday, May 15
    9:00am – 10:15am

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $25

    Click for more details…


    LOCAL & GLOBAL PERFORMANCE | DANCE 
    Mita Ghosal
    Lost on a Loom

    Friday & Saturday, May 17* – 18 
    *with discussion
    7:30pm – 9:00pm (including discussion)

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $35 – $200

    Click for more details…


    MUTUAL AID RESIDENCY | THEATER | COMMUNITY
    theatriQ
    Creative Sessions
    Co-Presented with Dreams of Hope

    Wednesdays, January 17 – May 1
    5:30pm – 8:00pm

    KST’s Alloy Studios | 5530 Penn Ave.
    FREE

    Click for more details…


    MUTUAL AID RESIDENCY | THEATER | COMMUNITY
    theatriQ
    Mainstage Production
    Co-Presented with Dreams of Hope

    Saturday & Sunday, May 10 – 12
    Times Vary 

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $40

    Click for more details…


    MUTUAL AID RESIDENCY | DANCE
    Adult Ballet Club
    with Andrew Blight
    Co-Presented with PearlArts

    Tuesdays, January 9 – June 4
    6:00pm – 7:00pm

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $190

    Click for more details…


    MUTUAL AID RESIDENCY | DANCE
    Adult Jazz/Heels Club
    with Arnita Thompson
    Co-Presented with PearlArts

    Tuesdays, January 9 – June 4
    7:30pm – 8:30pm

    KST’s Alloy Studios | 5530 Penn Ave.
    Pay What Moves You: $10 – $190

    Click for more details…

  9. FOR IMMEDIATE RELEASE: KST brings Slowdanger, STAYCEE PEARL dance project & Soy Sos to NYC this January

    PITTSBURGH, PA — As part of Kelly Strayhorn Theater’s (KST) ongoing Owning Our Future, Thriving Where We Live strategic direction, KST is thrilled to announce the second year of KST X NYC, a special initiative to share new works commissioned and developed in Pittsburgh by KST in collaboration with national partners. This year, KST is proud to announce the New York City premieres of two new dance works from Pittsburgh-based artists, slowdanger’s SUPERCELL and STAYCEE PEARL dance project & Soy Sos’s (SPdp&SS) CIRCLES: going in from Thursday, January 11 to Sunday, January 14, 2024 in New York City. 

    slowdanger’s SUPERCELL, an ​​evening-length multidisciplinary quintet responding to the climate crisis and media sensationalism, is presented on Thursday, January 11, 2024, at 6:00 pm and Friday, January 12, 2024, at 2:00pm. STAYCEE PEARL dance project & Soy Sos’s CIRCLES: going in is presented on Saturday and Sunday, January 13-14, 2024 at 6:00pm. All performances take place at The Flea Theater at 20 Thomas St, NYC. Tickets are Pay What Moves You: $20 to $35. You can access tickets for SUPERCELL and CIRCLES: going in beginning Monday, December 11. 

    KST X NYC was first launched in January 2023 as a special presentation of Pittsburgh-based theater artist Adil Mansoor’s solo lecture performance, Amm(i)gone, at the Performance Project at University Settlement, to open the pathways for Pittsburgh-based talents to thrive through national touring. 

    “KST X NYC brings KST’s vision of ‘Owning Our Future. Thriving Where We Live.’ to a national stage, highlighting the importance of artists and culture in creating a lively community in Pittsburgh,” says KST’s Executive Director Joseph Hall.

    Co-commissioned by KST, The Theater Offensive (Boston, MA) and the National Performance Network Creation and Development Fund (NPN), Mansoor’s performances launched a US Tour with upcoming presentations at a growing list of institutions including Woolly Mammoth Theater (Washington, DC), and Long Wharf Theater (New Haven, CT). KST hopes to extend the life of slowdanger’s SUPERCELL and SPdp&SS’s CIRCLES: going in, through these special NYC premiere performances.

    KST’s Programming Director, Ben Pryor notes, “In January, The Arts Presenters conference hosts an unprecedented opportunity for national and international exposure and exchange. In bringing these works to New York City during APAP, we are telling KST’s story to our national and international colleagues and creating an opportunity for exposure that most Pittsburgh-based artists don’t get to experience.”

    slowdanger’s SUPERCELL draws inspiration from the awe-inspiring yet ominous supercells—large storms with deep, persistent updrafts often leading to tornadoes. The terrifying supercells are harbingers of substantial damage. This natural effect is also similar to sensationalist media, instantly amplifying catastrophic events for insatiable public consumption. SUPERCELL therefore is informed by the natural effect, finding parallels and addressing environmental collapse and sensationalism in media. 

    According to anna thompson and taylor knight of slowdanger, “KST has been a beacon of support for slowdanger since our inception and has become a cherished home and community for us in Pittsburgh. Their support as development partners for SUPERCELL and conviction towards placing Pittsburgh artists on the national stage has been pivotal in our growth.

    CIRCLES: going in, was co-commissioned by KST in collaboration with The Joyce Theater (NYC) and the National Performance Network (New Orleans, LA) via NPN’s Creation and Development Fund. The work premiered at The August Wilson African American Cultural Center (Pittsburgh, PA), and has toured to the Dance Center of Columbia College Chicago (Chicago, IL). It will be presented at Bates College (Lewiston, ME) in February ‘24. 

    Layering dance and visual arts with pulsing beats and bass lines, CIRCLES: going in presents snapshots of popular culture through choreographer Staycee Pearl’s lens as a Black woman. With an ensemble of five dancers, CIRCLES: going in is a colorful, unapologetic, and daring path to self-reclamation. Central to the work is an original sound score of hip-hop, house, techno, and ballroom music samples – bringing the joy, spontaneity, and uncensored freedom of self-expression from the club to the stage. 

    “We first developed our artistic voice and organizational mission during our time as the resident dance company from 2010 to 2013 at KST,” Staycee Pearl fondly remembers, “KST’s support has played a huge part in propelling our work onto the national stage.”

    Join KST before and after each performance for light refreshments in The Flea Theater’s lobby. You’re also invited to a special reception on Friday, January 12 at 12:30pm with the artists.

    The Flea Theater is ADA-accessible and Kelly Strayhorn Theater is happy to further address any accommodations that will enrich your visit. Please reach out to KST’s Box Office team at 412.363.3000 x213 or boxoffice@kelly-strayhorn.org to let the team know in advance.

    For more details about each performance, please visit kelly-strayhorn.org. 

    Download the .pdf HERE.


    slowdanger
    SUPERCELL
    Thursday, January 116:00pm 

    Friday, January 12
    2:00pm

    The Flea Theater | 20 Thomas Street, NYC
    Pay What Moves You: $20 – $35

    SUPERCELL is an evening-length multidisciplinary quintet performance responding to climate consciousness, media sensationalism, desensitization, and environmental collapse. The title refers to supercells, large storms of deep, persistent updrafts often resulting in many tornadoes. While supercells are terrifying, ominous, and harbingers of great damage, they are simultaneously breathtaking environmental events when witnessed from afar. The effect is similar to sensationalist media, instantly amplifying catastrophic events for an insatiable public consumption. The work begs the question, how do we cultivate hope during continually uncertain times?

    This presentation of SUPERCELL is supported by The New England Foundation for the Arts’s National Dance Project and America’s Cultural Treasures, a program of the Ford Foundation and The Heinz Endowments. SUPERCELL is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Mellon Foundation. SUPERCELL is a National Performance Network (NPN) Creation Fund Project co-commissioned by Kelly Strayhorn Theater, The Clarice Smith Performing Arts Center and NPN. SUPERCELL is also supported by the Opportunity Fund, The Pittsburgh Foundation, The PNC Charitable Trusts, and The Heinz Endowments, with additional residency support from NCCAkron, The Space Upstairs and New York University’s Tisch School of the Arts Department of Dance. 


    CREDITS
    Direction by taylor knight and anna thompson
    Performance Collaborators: AJ Libert, Christian A. Warner, kira shiina
    Process Collaborator: Nile Harris
    Scenic Design by ProjectileObjects
    Lighting Design by Harbour Edney
    Costumes by Mad Recital
    Sound Design by slowdanger in collaboration with cast
    Choreography/Direction by slowdanger in collaboration with cast
    Dramaturgical Support, Collaborating Media Design, and Collaborating Sound Design by Jasmine Hearn
    Run Time: 75 minutes, no intermission 


    slowdanger, taylor knight (they/them) & anna thompson (they/them) are co-founding artistic directors of slowdanger, a multidisciplinary performance organism based in Pittsburgh, PA. slowdanger uses a systematic approach to movement, integrative technology, found material, electronic instrumentation, vocalization, physiological centering, and ontological examination to produce their performance work, which utilizes continual practice to delve into circular life patterning including effort, transformation, and death. Through the process of making each piece, slowdanger works with an ever deepening understanding of energy, synergy, action, gender, time, and storytelling. As a queer, non-binary led organization, slowdanger is committed to deconstructing the binaries of how performance and performers are viewed onstage through their performances, workshops and public facing engagements.


    STAYCEE PEARL dance project & Soy Sos 
    CIRCLES: going in 

    Saturday & Sunday, January 13 – 14
    6:00pm 

    The Flea Theater | 20 Thomas Street, NYC
    Pay What Moves You: $20 – $35

    Black Joy. Femme. Cycles of Life and Love. CIRCLES: going in is a full-length dance work celebrating #BlackGirlMagic #BlackLove #BlackJoy. Layering dance, visual arts, with pulsing beats and bass lines, the work presents snapshots of popular culture through choreographer Staycee Pearl’s lens as a Black woman. With an ensemble of five dancers, CIRCLES: going in is an unapologetic, and daring path to self-reclamation. Central to the work is an original sound score of hip-hop, house, techno and ballroom music samples mixed live throughout the performance – bringing the joy, spontaneity and uncensored freedom of self-expression from the club to the stage.

    This presentation of CIRCLES: going in is supported by The New England Foundation for the Arts’s National Dance Project and America’s Cultural Treasures, a program of the Ford Foundation and The Heinz Endowments. CIRCLES: going in is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Kelly Strayhorn Theater, The Joyce Theater, and NPN. CIRCLES: going in was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. Co-commissioning Partners are Kelly Strayhorn Theater, August Wilson African American Cultural Center, and The Joyce Theater. The development of CIRCLES: going in is made possible in part by the National Center for Choreography at The University of Akron (NCCAkron). CIRCLES: going in is supported in part by The Pittsburgh Foundation’s Advancing Black Arts in Pittsburgh Fund, The Heinz Endowments, and The Opportunity Fund.


    ​CREDITS
    Choreography: Staycee Pearl
    Sound Designer/Engineer: Herman B. Pearl
    Music Collaborators: DJ Haram, DOTGOV, Geña, Ixa, Kha’DJ, Kilamanzego, Madame Dolores, Meejah, Queen Jo, Yah Lioness
    Visual Collaborations: Bekezela Mguni, Kitoko Chargois, sarah huny young
    Lighting Design: Scott Nelson
    Costume Design: S. Ruth
    Set Design: Rob Hackett
    Dancers: LaTrea Derome Rembert, Chandler Bingham, Cameron Waters, Nia Goodman, Joy Holder
    Tour Coordinator: Joanna Futral
    Exclusive USA Tour Representation: Pentacle, Sandy Garcia 
    Running Time: 60 minutes, no intermission.


    Staycee Pearl, Executive/Co-Artistic Director Staycee Pearl is the Staycee Pearl Headshotco-artistic director of PearlArts Studios and STAYCEE PEARL dance project & Soy Sos, where she creates artful experiences through dance-centered multimedia works in collaboration with her husband and artistic collaborator, Herman Pearl. In 2009, STAYCEE PEARL dance project & Soy Sos (SPdp&SS) debuted at the Kelly Strayhorn Theater. Since then the duo has produced several works including …on being…, OCTAVIA, and FLOWERZ, and has recently premiered their National Dance Project supported CIRCLES: going in, presented by the Kelly Strayhorn Theater and the August Wilson Center for African American Culture. Staycee is passionate about sharing resources and creating opportunities for the arts community by initiating project-generating programs including the Charrette Series, the In The Studio Series, and the PearlDiving Movement Residency. 

    Herman Pearl, Co-Artistic Director Herman Pearl (Soy Sos) is the head engineer and owner of Tuff Sound Recording, as well as the sound designer and co-artistic director of PearlArts Studios. Through PearlArts, Herman creates soundscapes to serve as a component to contemporary dance. As a sound designer, Herman’s repertoire includes a wide variety of projects and collaborators. His work has been featured in various independent films and documentaries, video games, and advertising. He has designed soundscapes for numerous choreographers. He has collaborated with many visual artists to create installations and touring exhibits. He has recorded and produced work for a plethora of recording artists across genres and techniques. Herman has performed, created, and recorded his own music for over 25 years.


    ABOUT KELLY STRAYHORN THEATER 

    Named after 20th century entertainment legends Gene Kelly and Billy Strayhorn, both natives of Pittsburgh, Pennsylvania, Kelly Strayhorn Theater (KST) is a home for creative experimentation, community dialogue, and collective action rooted in the liberation of Black and queer people. We welcome our home to all who uplift Black, Indigenous, people of color, and queer voices. 

    KST is an institutional arts anchor in Pittsburgh’s East End that has served the community for more than two decades. Since launching KST Presents programming in ’08, KST has been Black-led, fostering radical imagination for Black and queer arts, culture, and community in Pittsburgh by cultivating BIPOC and/or queer artists, entrepreneurs, and arts administrators, developing their careers, and shifting narratives around Black possibility.

    Photo Credit: Mariah Miranda, Heather Mull, Mariah Miranda, Joshua Freznos, Beth Barbis

  10. FOR IMMEDIATE RELEASE: Pittsburgh Duo slowdanger Responds to Climate Crisis and Sensationalism with Performance SUPERCELL

    EAST LIBERTY, PA — Kelly Strayhorn Theater is thrilled to present Pittsburgh-based performance duo slowdanger and their new work SUPERCELL, with an exciting week-long program during the first week of December.

    At KST’s Alloy Studios, on Monday, December 4 at 6:00pm, artists anna thompson and taylor knight of slowdanger share their artistic ideas and creation process with audiences at our informal Welcome Dinner & Artists Talk, kicking off the week. Following the talk, on Wednesday, December 6 from 9:00am to 10:15am, slowdanger offers a 75-minute workshop De-Mystifying the Box co-presented with PearlArts, engaging participants to sense deeper into the micro-ecosystems of our bodies. 

    The week reaches its crescendo at Kelly Strayhorn Theater on Friday and Saturday, December 8 and 9 with the Pittsburgh premiere of the evening-length quintet performance SUPERCELL at 7:30pm. Kelly Strayhorn Theater co-commissioned this performance as a National Performance Network (NPN) Creation & Development Fund Project in collaboration with The Clarice Smith Performing Arts Center (College Park, MD) and NPN (New Orleans, LA). SUSPERCELL was developed with support from the prestigious National Dance Project, a program of the New England Foundation for the Arts, and additionally supported by residencies at the National Choreographic Center (Akron, OH), The Space Upstairs (Pittsburgh, PA) and New York University’s Tisch School of the Arts Department of Dance (New York, NY) . 

    The work draws inspiration from the awe-inspiring yet ominous supercells—large storms with deep, persistent updrafts often leading to tornadoes.

    The terrifying supercells are harbingers of substantial damage. This natural effect is also similar to sensationalist media, instantly amplifying catastrophic events for insatiable public consumption. SUPERCELL therefore is informed by the natural effect, finding parallels and addressing environmental collapse and sensationalism in media

    Through seamless integration of corporeal mime techniques, contemporary and improvisational dance frameworks, live vocalization, electronic and sample-based music, and interactive set design, SUPERCELL is a multidisciplinary adventure by nature. The synchronized and amplified breaths and vocalizations of the dancers serve as a motif, articulating the effects of toxic natural and media environments on our bodies.

    “Throughout the creation process, we formed and consulted with advisory cohorts in Maryland and Pittsburgh, composed of scientists, climate activists, anthropologists, sustainable design experts, and a dramaturgical advisor,” said slowdanger. 

    The collaborative nature of the project allows for multiple truths to emerge in the reception and interpretation of SUPERCELL. Through a dinner conversation and a workshop with the general public, slowdanger opens the floor for diverse discussions and decentralizes the creative process.

    SUPERCELL is the final event of KST’s Fall 2023 Season. Information about the Winter/Spring Season will be released on Thursday, December 14 at kelly-strayhorn.org

    This presentation of SUPERCELL is supported by the National Performance Network Artist Engagement Fund, The New England Foundation for the Arts’s National Dance Project and Mid-Atlantic Arts Foundation’s ArtsConnect programs. SUPERCELL is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Mellon Foundation. SUPERCELL is a National Performance Network (NPN) Creation Fund Project co-commissioned by Kelly Strayhorn Theater, The Clarice Smith Performing Arts Center and NPN. SUPERCELL is also supported by the Opportunity Fund, The Pittsburgh Foundation and The Heinz Endowments, with additional residency support from NCCAkron, The Space Upstairs and New York University’s Tisch School of the Arts Department of Dance.

    Download the .pdf HERE.


    ABOUT THE ARTIST

    slowdanger, taylor knight (they/them) & anna thompson (they/them) are co-founding artistic directors of slowdanger, a multidisciplinary performance organism based in Pittsburgh, PA. slowdanger uses a systematic approach to movement, technology, found material, vocalization, and physiological centering to produce their performance work. Through the process of making each piece, slowdanger works with an ever deepening understanding of energy, synergy, action, gender, time, and storytelling. As a queer, non-binary led organization, slowdanger is committed to deconstructing the binaries of how performance and performers are viewed onstage. 

    Harbour Edney | Lighting Designer (they/he) is a freelance lighting designer and installation artist who is currently nested in the Philadelphia area. Recent designs include Always the Hour (Annie Wilson), The Wild Party (Eagle Theatre), a hit dog will holler (Azuka Theatre Company), Chaat (Usiloquy Dance Designs), Papa (The New Hazlett Theatre) and Bruise & Thorn (Pipeline Theatre Company). They have designed for other companies such as Obvious Agency, The Bearded Ladies Cabaret, The Pillow Projects, The Kelly-Strayhorn Theatre, Alumni Theater Company and INTAR NYC. Harbour has a special love for dance and is thrilled and grateful to be working on SUPERCELL with this team.

    Nile Harris | Performer (he/him) is a performer and director of live works of art. He has done a few things and hopes to do a few more, God willing. 

    Jasmine Hearn | Dramaturgical Support, Collaborating Media Design, and Collaborating Sound Design (they/them) is an internationally-touring interdisciplinary artist, director, performer, choreographer, organizer, doula, and teacher. They are committed to performance as an expansive practice that includes a spectrum of dance and somatic traditions and techniques, sound design, garment design, cooking, and the archiving of matrilineal memories. They give gratitude to Spirit, their mothers and aunties, and all the mothering Black people who have supported their moving, remembering body.

    AJ Libert | Performer (he/him), from Pittsburgh, PA, started his dance training at the age of three. He graduated from PBT’s full time program, and then attended Point Park University where he received a BFA in Modern dance. AJ enjoys the complexities that movement exploration has to offer. Combining his love for the natural world with his love for movement drives AJ to continue to find deeper connections between the two, in hopes to merge both worlds seamlessly. AJ would like to thank his two beautiful mothers, without them he would not be where he is today.

    ProjectileObjects | Scenic Designer and Technical Director (he/him) Cornelius Henke III is a multi-talented creative with a passion for video production and performance art. His work spans across various mediums, including music videos, motion graphics, live events, and interactive installations. Cornelius is an activist and partner at Merging Media, a boutique digital media production company based in Pittsburgh, PA. In 2021, ProjectileObjects formed an LLC that offers a range of services, including conceptual design, development, engineering, fabrication, and installations. With a wealth of experience and expertise, Cornelius continues to captivate audiences with his unique vision and exceptional talent.

    Mad Recital is an avant-garde fashion label established in 2010.  The designers involved in the label are Richard Ramirez (who started his own fashion label in 1997 prior) and Sean E. Ramirez-Matzus. Mad Recital focuses on deconstruction, repurposed garments, handmade techniques, alternative visions of beauty and unconventional designs. Drawing inspiration from nature, folk-lore, myths and legends, film and the arts as well as the history of avant-garde fashion, Mad Recital aims to create wearable art. The end goal, pieces that delight, unsettle, inspire and provoke. Their work has been sold at boutiques in Japan and France.

    kira shiina | Performer (they/she) is a dance and sound artist based on the unceded Lenape land known as Philadelphia, PA. kira shiina attended Pittsburgh Creative and Performing Arts, going on to receive their BFA in Dance from the University of the Arts. In 2019, they presented their first solo work, DID YOU / FALL APART in collaboration with painter Jameelah Platt. They were a founding company member of Mark Caserta’s Big Kid Dance and are currently a creative associate of choreographer Tommie-Waheed Evans, and has been a company member of waheedworks  since 2019. kira shiina is an Adjunct Assistant Professor of Dance at the UArts.