Tickets & Events

Maree ReMalia: WITH OURSELVES, WITH EACH OTHER

KST Presents

Co-Directed by Adil Mansoor

Produced by and Created with Hatch Arts Collective

Friday, October 23, 2026
7:30pm – 8:45pm*

Saturday, October 24, 2026
2:00pm – 3:15pm & 7:30pm – 8:45pm^

Kelly Strayhorn Theater | 5941 Penn Ave.
Pay What Moves You:  $20 – $35

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What happens when karaoke becomes a way to express grief, memory, and joy?

Set in a “karaoke-funeral-lounge”, WOWEO follows Korean adoptee and ballerina-turned-experimental dance-maker Maree ReMalia as she navigates the grief of losing a parent who raised her and the absence of a parent she never met. Blending dance, storytelling, and pop music, this solo performance explores the longing to understand where we come from. It honors both the pain of early separation and the deep bonds we form with family beyond blood ties.

Sing, laugh, and journey with us as WOWEO asks: How can we hold grief and memory while still making room for joy, connection, and new ways forward?

Audience will be seated on stage. Late entry and re-entry will not be permitted for this production. 

*with post-show discussion
with ASL interpretation
^ karaoke afterparty with Liana Maneese

Photo Credit: Kitoko Chargois

Content Disclosure

The performance contains themes of death, family separation, and adoption. The production includes strong language, theatrical haze, and sudden vocal amplification. Please reach out to boxoffice@kelly-strayhorn.org for more information.

Credits

World premiere produced by Hatch Arts Collective (Adil Mansoor, Founding Artistic Director) and commissioned and presented by Kelly Strayhorn Theater.

WITH OURSELVES, WITH EACH OTHER (WOWEO), is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Kelly Strayhorn Theater (KST), Bates Dance Festival (BDF), Hatch Arts Collective (Hatch), and the National Performance Network (NPN). More information: www.npnweb.org. Developmental support for WOWEO has been provided by Kelly Strayhorn Theater, Opportunity Fund, Heinz Endowments’ America’s Cultural Treasures initiative, The Pittsburgh Foundation, Ford Foundation, Lawrence University, Middlebury College, University of Vermont, Workhorse Collaborative, and Carnegie Mellon University Center for New Work Development in partnership with KST.

 

Co-Presented by  Kelly Strayhorn Theater and Hatch Arts Collective 



AND DON’T MISS…

Community Dinner
with Maree ReMalia

Monday, October 5, 2026
6:00pm – 8:00pm

Kelly Strayhorn Theater | 5941 Penn Ave.
Pay What Moves You: $0 – $25

Click for more details…

 


Acts of Remembrance
with Maree ReMalia & David Bernabo

Wednesday, October 7, 2026
6:00pm – 8:00pm

KST’s Alloy Studios | 5530 Penn Ave
Pay What Moves You: $10 – $25

Click for more details…

 


JADED
Remind Me, My Dream

Friday, October 23 – Friday, December 18, 2026
Opening Reception: Friday, October 23, 2026
5:30pm – 7:30pm

Kelly Strayhorn Theater | 5941 Penn Ave.
Pay What Moves You: $0 – $20

Click for more details…

 


 

Maree ReMalia (creator, performer, co-director) is a Tulsa-based dance maker, performer, and teaching artist exploring the moving body as a site of memory, presence, and possibility. Her work welcomes seasoned dancers and curious newcomers into shared movement practice. Deeply shaped by Pittsburgh’s arts community, she remains grateful for ongoing collaborations and return invitations from Hatch Arts Collective and Kelly Strayhorn Theater, whose support has been grounding and expansive in her artistic and personal growth. www.mareeremalia.com

 


Adil Mansoor (co-director) is a Pittsburgh-based director centering queer people of color. He’s developed work with The O’Neill, Manhattan Theatre Club, and others. Directing projects include Jonathan Spector’s Eureka Day (City Theater) and Brandon Jacobs-Jenkins’ Gloria (Hatch). This season, he is directing the world premiere of DJ Hill’s Horsegirl and Cowdaddy at Wilma Theater and Soho Rep. Mansoor is a former Sundance Fellow and the 2024 Carol R. Brown Emerging Artist Award recipient. www.adilmansoor.com

 


Hatch Arts Collective is a Pittsburgh-based performing arts incubator centering queer and BIPOC artists, stories, and communities. Hatch specializes in new work development and interdisciplinary artistic training. Hatch collaborates to enable the production of work that breaks with traditional expectations of participants, content, or form.

 

 


David Bernabo (sound design and composition) is a musician, artist, and filmmaker. He has scored films, video games, and dance works, and he performs with the bands Watererer, House Music, and How Things Are Made. His film work documents western Pennsylvania food systems, the studio practices of composers and artists like “Blue” Gene Tyranny and Zoë Welsh, and the histories of iconic arts institutions like the Mattress Factory. He is co-founder of Bright Archives, an independent archival production house. www.davidbernabo.info

 


Sarah Ashley Cain (producer) is a values-based artistic producer whose works focuses on supporting queer artists and stories. They are currently the Contracts Manager at Oregon Shakespeare Festival. Cain has worked at or consulted for theaters across the East Coast including Pittsburgh Public Theater, Baltimore Center Stage, Woolly Mammoth Theater Company, HERE Arts Center, Yale Cabaret, Yale Repertory Theater, No Rules Theater Company, and Virginia Theater Festival. They serve on the Board of Directors for Live Arts, a community-driven volunteer theater in Charlottesville, VA. 

 


Rona Chang (garment design) is a Taiwanese-born designer and founder of OTTO FINN whose work blends cultural storytelling, sustainability, and textile innovation. Raised between Taiwan and New York City, her aesthetic is informed by a decade photographing Indian, Chinese, and Japanese art at The Metropolitan Museum of Art. She transforms vintage textiles into gender-neutral garments rich in color and pattern. Rona brings a thoughtful approach to design, combining storytelling with deep knowledge of materials, construction, and textile traditions.

 


Kolton Cotton (media design) is a projection designer and video engineer specializing in content creation and broadcast technologies for theatre and live events. Kolton produces multichannel video systems through networks, projection mapping, and rapid prototyping. His mixed media approach to motion design and asset creation utilizes real-time, 2D, and 3D compositing workflows. His recent credits include Another Kind Of Silence at City Theatre and Enron at Quantum Theatre. 

 


Jenny Johnson (dramaturgy) is the author of In Full Velvet. Her poems and essays have appeared in American Poetry Review, BOMB Magazine, and The New York Times. Her honors include a Hodder Fellowship, an NEA Fellowship, and a Whiting Award. Currently, she is an Associate Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop.

 

 


Sasha Jin Schwartz (scenic design) is a theater scenic designer and artist inspired by family and how spaces tell stories. Selected Designs: Eureka Day (City Theatre Company), DANCEFLOOR (Kelly Strayhorn Theater), Little Amal ‘Imagination is My Playground’ (Hatch Arts & CDCP), Twelfth Night (Pittsburgh Public Theatre), Kentucky (Pittsburgh Playhouse). Recognition: 1/52 Project Grant Recipient, Prague Quadrennial Featured Emerging Designer, Theatre Communications Group Rising Leader of Color, Pittsburgh Children’s Museum F.I.N.E. Artist-In-Residence. BFA CMU Drama. www.sashaschwartzscenic.com

 


Iliana Tomasa Sharp (assistant director) is a Pittsburgh-based director, choreographer, and playwright who loves blending art forms. As a queer Latinx American from Austin, TX, she aims to engage in storytelling that educates, advocates, and celebrates the act of building community. Credits include: The Trees, assistant director, (Pittsburgh Playhouse); (New Hazlett CSA); The Winter’s Tale, choreographer/assistant director, (Pittsburgh Playhouse),  ≈ [Almost Equal To], choreographer, (Pittsburgh Playhouse). Unstitch, choreographer, (Kelly Strayhorn Freshworks); Being Beings, choreographer, (NACHMO). 

 


Ian Thomas (stage manager) is honored to be a part of the team bringing with ourselves, with each other to the Kelly Strayhorn Theater. As a born and raised Pittsburgher, he is thankful to the community for continuing to embrace local artists. He has previously worked on Twelfth Night (Pittsburgh Public Theater), Enron (Quantum Theater), A Sherlock Carol (Kinetic Theatre) and Boeing Boeing (South Park Theater).

 

 


Nicole White (lighting design) is ecstatic to be joining the team at Hatch Arts Collective. She’s the resident lighting designer at Alumni Theater Company and Little Lake Theater, as well as a freelancer who has designed shows for companies like Resonance Works, IUP, and Bricolage. She’s also a locations assistant for movies and tv show such as “How to Rob a Bank”, “Mayor of Kingstown”, “The Gymnast”, “Cha Cha Real Smooth”, and “American Rust”.

Additional Artists and Collaborators Who Have Contributed to WOWEO’s Development:

Karaoke Consultant: Eben Hoffer

Wardrobe Consultant: Rachel Vallozzi

Photo Documentation: Brannon Bowers, Kitoko Chargois, Anna Hanson

Props: Katie Mikula-Wineman

Video Documentation: Paul Kruse, Parker Stephens

Vocal Coaches: Jisook Kim, Lisa Velton Smith, Kara Staiger, Micaela Tobin